When COVID-19 cancelled the Dance Ensemble concert, professor Jin Hanley repurposed students鈥 rehearsal time for virtual masterclasses with illustrious dance professionals.
Hanley leveraged her connections and those of Ensemble co-teacher Jacqueline Lopez to give students an opportunity to dialogue with renowned professionals. Zoom guest speakers included: Randall Flinn, artistic director of Ad Deum Dance Company in Houston; Larry Keigwin, artistic director of Keigwin and Company in New York; Jon Lehrer, artistic director of Jon Lehrer Dance Company in New York; Yuriko Kajiya, principal dancer of Houston Ballet in Houston; Daniel Lewis, former dancer and artistic director of Jos茅 Lim贸n Dance Company, assistant to the director of dance at The Julliard School and founding dean of New World School of the Arts; Caleb Mitchell, ballet professor at Florida State University and former principal dancer with Houston Ballet; Rhonda Henriksen, former dancer with Hubbard Street Dance Chicago and Dr. Kathleen Davenport, a medical doctor with a fellowship in sports, performing arts and dance medicine.
Kajiya, a national star in Japan, was a guest in the pointe and partnering class. Before joining Houston Ballet, she worked her way up from apprentice to soloist with American Ballet Theatre. Victor Trevino, a choreographer for 海角在线, was part of her inspiration for becoming a dancer, Hanley said.
Lewis is the 鈥済odfather of the dance world,鈥 Hanley said. While most students only read about him in textbooks, 海角在线 students related to him by name. Bailey Ferguson, a sophomore, credited him for shifting her perspective on her dance career.
鈥淪omething you said that really stays in my mind is to take every opportunity you can,鈥 Ferguson wrote to him in a thank you note. 鈥淪ometimes I feel so narrow-minded on what my goals are that I may miss another path I needed to follow. That statement really opened my eyes, and I plan to live by that from now on.鈥
Flinn, the first guest speaker, was a visiting scholar and choreographer at 海角在线 in February. He reminded students that dance is not just movement 鈥 it is a beautiful creation of the Lord, said Victoria Holmes, a rising senior majoring in dance pedagogy.
鈥淗e reassured us that arts in general are powerful tools that the Lord can use to minister to our generation,鈥 Holmes said. 鈥淭hey鈥檙e looking for truth and looking for beauty.鈥
Holmes and Winston Jean-Joseph 鈥20 said they were also inspired by Henriksen, who exuded confidence in her identity in Christ. Henriksen retired from professional dance after 10 years to start a family. She later became director of dance ministry for Willow Creek Church and founded her own dance company.
It was obvious that in every stage of life, she was grateful, Jean-Joseph said.
鈥淲e make parts of our life climactic,鈥 Jean-Joseph said. 鈥淏ecause she was secure in her identity in Christ, she was always in the right spot at the right time. She was always in the perfect season.鈥
It was refreshing to hear her encouragement to be true to yourself, Jean-Joseph said.
鈥淨uite often in the dance world, we hear that you have to fit the mold,鈥 Jean-Joseph said. 鈥淪he shared that it鈥檚 OK to be secure in who God has made you to be.鈥
Mitchell, the ballet professor, was scheduled to present 鈥淧ost-Neoclassical Exploration: Ballet鈥 at the University鈥檚 Interdisciplinary Research Conference in March. The conference was canceled and later moved to a digital format, but Mitchell carried on with his presentation via Zoom.
鈥淎ll of these events might be cancelled, but we as artists are not canceled,鈥 Hanley said.